Wednesday, 14 December 2011
Today we finally completed our sample scene that we'd been working on for the past fortnight or so. The quick excerpt includes a variety of shots we intend to use, as well as incorporting the two narratives of concept and performance throughout. For the final thing, we intend to shoot on the moorside as mentioned numerous times.
Monday, 12 December 2011
After much hardship and sorrow, I have finally completed our group's animatic, which demonstrates the different camera angles we'll use, who'll be in the video and more. The song is also included in the animatic, but only an excerpt because to cover the entire 4 minutes I would've had to spend time we didn't have on the flash document, so it is more of a summary of ideas.
Here it is.
Here it is.
Thursday, 8 December 2011
We didn't get to film yesterday due to band members not showing up to practice so we couldn't get the shots we needed for the performance. However we'll be filming next week and we'll have to get some filming done at the practice next week.
Tuesday, 6 December 2011
|A shot from the Animatic, featuring a part of the performance.|
Thursday, 1 December 2011
Johnny Truant was a British, Brighton-based metalcore band, formed in 2000 under the name Severance. The band recorded their debut release The Repercussions of a Badly Planned Suicide (which featured three remixed songs from their second demo) in 2002 which was released on Undergroove Records. Their second album, In the Library of Horrific Events was produced by Killswitch Engage guitarist, Adam Dutkiewicz. The band have toured the UK, Europe and Canada with the likes of Killswitch Engage, As I Lay Dying, Cancer Bats and Alexisonfire as well as playing Download Festival in 2005, 2006 and 2008.
The song 'Death Rides' is from their 2008 album No Tears For The Creatures and was one of two singles released, as well as The Grotesque. It was directed by Adam Powell who has worked with bands of the genre including Architects and Gallows. The video is entirely performance narrative and focuses on each band member playing their instruments throughout, and follows a lot of codes and conventions.
The video begins with a quick tracking shot from behind the drummer, and all of the band are shown in a group/ML shot. The camera shot styles then begin varying from that point onwards, beginning with the focus on the vocalist as he begins screaming the lyrics for the song. A majority of the shots are done using a handheld camera as a lot of them are extremely shaky, as well as being fast-paced with quick editing.
|Vocalist Olly Mitchell, shot with a low angle.|
A lot of shots follow the musicians as they perform, with quick zoom shots and techniques used throughout, and there are also a lot of different height angles, such as a lot of shots filmed from a very low angle, as pictured, making the band look intimidating which matches the aggressive nature of the song. The location for the video seems to be some sort of hangar or some large storage space, and is actually quite sparse, so the camera focuses primarily on the band instead of the location. There is an open door in the hangar and that provides the light source to the video, and there are often frequent lens flares and naturally brightened shots due to that.